A French grand cornemuse, 18th c, private collection

The instrument is incomplete, with some parts modern.  The chanter is known to be original, and the top joint of the bass drone known to be a reproduction. These images are based on full-size xerox originals, which are (unfortunately) the best quality images I have at hand.  The pewter inlay is particularly spectacular on this instrument. The images have been scaled to fit on the page, but the files are actually at much higher resolution.   They can be downloaded and viewed in any image editing program.  These images are not displayed to scale on this page, but the source images should scale correctly. ...

June 15, 2005 · 2 min

3d renderings of renaissance recorders

Renaissance recorders were popular throughout Europe from about 1500 to 1650. They were among the most popular “consort” instruments, meaning that they were played in groups (or consorts). A typical consort for renaissance recorders would be made up of one alto, two tenors, and a bass instrument. Michael Praetorius, writing in 1618, expressed a preference for a consort made up of a tenor, two bass recorders, and a great bass. Praetorius also mentions an “ideal” consort made up of 21 instruments, made in 7 different sizes. He illustrated these instruments in his encyclopedic Syntagma Musicum. ...

February 2, 1996 · 2 min